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remixes by woody & dj t.!! dj t.s >the dawn< 1st appeared in may of this year, and it was a 12inch of typical poise, refinement and dancefloor effectiveness from the get physical boss. now its time for the remixes... first up, t. himself tackles >jam pot<. the resulting track is the dancefloor monster that >jam pot< always threatened to be - subtle, intelligent, but unswerving in its intention to rock the floor. for a fresh treatment of >the dawn<, t. hands over the reins to woody, the legendary former resident dj at berlins e-werk and a true architect and soldier of the citys techno underground.the result is undoubtedly psychedelic, but the powerful, minimalist drum patterns and sheer production panache mean this will be a big hit with the feet and hips as much as the mind. this is a remix 12inch you cant afford to miss - two very different productions which will stimulate both cerebrally and physically. the dawn is here!

get physical are pleased to welcome paul ritch, following the well-received >fortuna ep< (together with anthony collins) with his first solo-tracks. over the past year ritch has earned his stripes with solo releases on resopal schallware, minisketch and paradigma, and as one half of handycraft, whose le bal masque ep on kickboxer was a recent underground hit. ritch saves his best for physical, though, with two minimal house tracks of real energy and sophistication comprising this new 12inch. a master of slowburning intensity, ritchs begins >june< in understated fashion, but build after build, and the onset of busy, chattering percussion, sonar pings and ravey acid lines take things to a wholly different level. ritchs skill is in accumulating layer over layer of effects and then, in a magical instant, stripping things back to raw elements, some of the compressed, filtered breaks on >june< will cause serious dancefloor damage and delight

you might not think youre familiar with kramer, but chances are youve heard his music before. better known as larrson, the berlin-based dj/producer has released a series of acclaimed 12inchs on esteemed labels like traum schallplatten and bpitch control. he now adopts the kramer guise to deliver a 3-track ep of smart electroinfluenced and minimal house on berlins get physical. kramers first forays into music were as a singer, guitarist and songwriter, it was hearing bpitch boss ellen allien dj for the first time that inspired him to make and play electronic music. his rock/funk prehistory is subtly apparent in the eps a1, >runner<, which begins with a warm, rounded kick and busy, clicking percussion before urgent hi-hats and a hard snare sound take over and aim the tune squarely at the dancefloor. the centrepiece of the track, though, is a synth riff that summons a taste of vintage electro, while sounding purely 2007

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

in between working on their next album and touring america and australia, booka shade have come up with this new double a-side 12inch that makes the wait for their third artist album shorter. the a-side track, >tickle< is an emotive affair: over arnos shuffling drums and a pumping bass, walter drops a repeating hook and evocative synth chords. the ideal warm, summer tune, >tickle< is sure to be played on the terraces and at all the outdoor parties this year. then they turn their attention to karma car, which was inspired by booka shades us tour

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

get physicals belgian protege strikes again with a release that brings together deepness and contemporary beat-programming - one more evidence, that hes one of europes finest new producers for this refreshing style of warm and melodic club tunes

meat, aka carsten schumann, the owner of the long-established frankfurt record-store freebase, teams up with arno völker from einzelkind and deliver a solid deep three tracker

the third ep for get physical by lopazz. he comes with warm electronic tracks with a sweet touch.. isolee makes the clubbiest remix he has done recently

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great label logo shirt from get physical records ... white shirt black print

great label logo shirt from get physical records ... white shirt black print

great label logo shirt from get physical records ... white shirt black print

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finest fusion of futuristic and classic elements in this new dj t track taken from his forthcoming album. incl remixes by berlins prosumer (playhouse, mobilee) and dj t himself

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flower is inspired from 90s techno ... dark detroit style b side combine acid stuff with housemusic ... jay haze brings house and techno into the future

sexy , hypnotic electro and minimal tech incluenced electronic monster anthem ... tipp

rmx by audion (matthew dear), fresh from mixing the third installment in the >body language< series, uk dj/producer in berlin jesse rose puts out his debut ep for get physical and he opens his account with a timeless house track. >didn t i< is a seductive, dubby piece of music with a niggling vocal sample and warm, jazzy chords. as the sun rises over scenes of decadence in the panorama bar at jesse s monthly residency there, this is the musical soundtrack that will give the weary party goers some relief. jesse goes in a more daring direction for his own >made to play< remix. it starts to the sound of an orchestra tuning up, retains the vocal sample and makes the jazzy hooks more tripped out. rose s shuffling, twitching rhythms are a welcome relief for any dj who is sick of having to stick to straight 4/4 tracks all night. on the flipside matthew dear delivers a remix of >didn t i< in his audion guise.

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now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

take a dose of riton and heidis dancefloor medicine and you will be smiling all weekend.. incl jesse rose remixes !!

hot on the heels of the first remix package comes these new versions of >darko<. the latest and last single to be taken from booka shaden s acclaimed >movements< album, these remixes will have maximum dance floor impact! first up are brothers ali and basti schwarz, aka tiefschwarz. always at the forefront of house music, their treatment is based on a stripped back, stuttering rhythm and resonating blips and bleeps. it s the perfect track for when the club is locked onto the dj s groove, and the chiming bells make it sound even more trance-like. booka shade themselves are the next remixers, and their >le grand noir< is their live version of >darko<. retaining the original track s epic, infectious hooks, the remix uses a pumping bass-heavy groove tailor made for peak time or festival usage

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great m.a.n.d.y. (get physical logo shirt)

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